2024
56x70cm
Cardboard, acrylic, Fenice WP pigment paste, jacquard mesh
纸板 丙烯 芬尼奇WP色膏 提花网
The "Underwater Series" represents the author's emotional expression of the subjective will of "water," embodying his natural imagination towards this particular element. The intricately interlaced shapes and colors, both regular and irregular forms, and the sensuous arrangement of "disorderly" positions aptly demonstrate the author's abundant associations with the singular image of "flowing water." The layered display of hues and the translucent, luminous, and profound colors evoke the philosophical contemplation on the vitality of "water flow" in Eastern thought. By delving into the objective essence of concrete objects through the realistic forms of virtual entities, he restores the watery nature imbued with Eastern characteristics to the human state, embodying a concise yet confident fusion of man and nature, as well as the harmony between Heaven and Man.
《水下系列》是作者对于“水”的主体意志的情感表意，是其对“水”这一特定物的自然想象。那些布满色域交织的造型体态，规则或不规则的形状设置，和“无序”位置的感性编排，恰如其分地表现出作者对“水流”这一单体形象的丰富联想。多层色系的铺陈，透质光亮的深沉色彩，带出“水流”在东方哲思里的生命思索。他通过虚拟物的真实形态来切入具象物的客体本质，从而将带有东方特质的水性回归至人的状态里，纵有一股人与自然天人合一的凝练与自信。